In the studio, Randall Jones produces originals and remixes that have been released on some of the best dance music labels in the world. Record labels like Bedrock, End Recordings, Saw Recordings, Hooj, Low Pressings, Deep Records and Renaissance Recordings have snapped up Randall’s work and he is consistently releasing singles as well as remixes and promoting his own record label, Mynt Music. Mynt’s home base is Randall Jones’ recording studio in downtown Houston, where he also produces music for TV shows and commercials. You can hear Randall’s music broadcast on shows like CSI, Making of the Band, America’s Top Model, The Discovery Channel, Science Channel and MTV. Randall Jones is a rarity in the music industry today. He is a DJ and producer that has not achieved his status through marketing ploys, PR agents and DJ lists, but rather through years of worldwide touring and close attention to his production. He is the rare artist that caters not to the whims of an industry, but to the decades old concept that is urban music, and to the culture and people that surround it.

Childs was introduced to electronic music in 1995, but being involved in the punk scene, she remained a closet technohead until her first party in 1998. It was then she was introduced to deep house, and immediately knew this music would become a fundamental part of her life. It did, and within a year she was playing parties and after-hours around the Seattle area. Her debut release was 2004 in the form of a vocal appearance on Take’s Colossal Volume 1.

Special Guest DJ KAM from LA will be playing as well.

Vegas, 2007

Sin City would be the home for CityDeep Music, Halo’s label aimed at high quality, cutting-edge dance music that has featured works from Franck Roger, Dennis Ferrer, Marlon D, Rocco, Andre Lodemann, and many more. Halo calls the label, that churns out release after release of deep house mixed with organic, techy rhythms: “mature music for the deeply minded”. In Vegas, he continued producing, DJing, and wore the hat of club promoter with a regular party that brought class to a city whose bustling nightlife is known more for its love of the mainstream, rather than its deep house friendliness,

Return To California, 2009

Halo loaded up the U-Haul truck for his first term as a Northern California resident, and he would touch down in San Francisco for three years (though as of last year he’s again a San Diegan). Surface Recordings has launched, a new record label run by Halo under his moniker “View,” along with friend Nikola Baytala. The label will see releases from Tuccillo, DJ Sneak, Danilo Vigorito, Marasco, Lomez, Andrew Grant, Pezzner, and more.

In 2009, Halo’s classic production, “Future,” was voted #95 on Resident Advisor’s Best Track of The Decade. It hasn’t left some DJ’s record bags since its 2000 release. The accolades for this piece of music are fitting, because with Halo’s constant search for inspiration, his constant growth, and his wearing of many hats – he’s built a successful past and still has a bright future.

“I’ve been DJing for 20 years,” he says. “And I love what I do.”

As disco reached its shimmering apex in the late 1970s, young Dusseldorf-born Thomas relocated to Frankfurt with his family. His parents plied him with vinyl compilations, and as a nine-year-old he succumbed to disco’s seductive charms, beginning a lifelong commitment to crate digging and vinyl collection. Thomas’ budding obsession moved through disco and hi-nrg, to the burgeoning sounds of early American rap & hiphop music, and finally to electro-funk, the beloved genre that has left an indelible imprint on all of DJ T.’s own productions. It was love at first listen, and driven by the sounds of seminal protagonists like Afrika Bambaataa, Planet Patrol, Newcleus and Mantronix, Thomas took up breakdancing, compelled to move by the genre’s urgent funk and infectious beats.

Donning a new pseudonym – DJ T. – his career behind the decks began in earnest at private parties, soon leading to his first professional gig in Frankfurt. After playing for a range of clubs around the city, T. soon found himself swept away by the powerful current of acid house that had engulfed Frankfurt with the opening of Sven Väth’s Omen in 1988. T. gravitated toward early house, EBM and techno, and secured his first DJ residency at legendary spot Music Hall. Throughout the 1990s, he was booked at all of the city’s essential clubs, including long lasting residencies at Plastik, Dorian Gray and The Box; by the end of that decade, Frankfurt, one of Europe’s epicentres of electronic dance music, had become indelibly linked with the name ‘DJ T.’

In 1989, T. founded the influential German-language magazine Groove. T.’s intention, in his own words, was to “create a magazine that would meet my own needs. I assumed there were many others with similar needs out there.” He was right. To this day, it remains as one of Germany’s most important publications for electronic music, and in addition to serving as Groove’s publisher and editor for fifteen years, T. also contributed to anthologies on club music, such as Localiser 1.0 and Techno.

At the end of the millennium, after years spent coordinating events and club nights, T. felt impelled to bring his own club vision to life. In 1999, T. and his friend Patrik Dechent opened Monza, an intimate club situated in Frankfurt’s city centre. In his capacity as resident DJ and musical director, T. played a decisive role in shaping the profile of the Frankfurt hotspot and its Ibizan satellite, before parting ways with Monza five years after its inception.

In 2002, T. and five of his friends started their own label, Get Physical Music. Within ten single releases, the label had forged an international reputation that took in far beyond its German base; it reached #4 in the annual Groove reader’s poll of 2004, and claimed the coveted ‘label of the year 2005’ award from British clubbing bible DJ Mag. Established by six seasoned veterans of electronic music and club culture, the label collective included DJ and production team Patrick Bodmer and Philipp Jung (M.A.N.D.Y.), producers Walter Merziger and Arno Kammermeier (Booka Shade) and studio owner Peter Hayo. Focusing his attention on A&R responsibilities, T. tirelessly scoured the scene for new talent and mentored label signees, all the while developing as an artist in his own right. Four years after inking Get Physical, its sister label Kindisch was founded. Dedicated to deepness, Kindisch was T.’s playground and he played accordingly, driving its dancefloor identity, and honing in on what he labelled the ‘minimal booty house’ sound.

T.’s production debut, Monsterbaze, with Steve Bug, graced the latter’s Pokerflat imprint in 2000, and since that time he has notched up releases on Moodmusic, 20:20 Vision, Kindisch, plus twenty 12’’ singles for Get Physical. In 2005 T. unleashed his first album Boogie Playground, a reverential collection that paid homage to T.’s past, and the strands of early club music that shaped his future. In 2009 his sophomore longplayer The Inner Jukebox was rapturously received; a co-production with Thomas Schumacher, his second longplayer is an assured work, and a singular, accomplished statement that reflects T.’s ongoing interest in rigorously re-inventing classic sounds for modern ears and dancefloors. Koch’s additional talents as a remixer have not gone unnoticed. His reworks of acts for labels like ArtofDisco, Yellow, 20:20 Vision, Simple and Naked Music have moved critics and crowds alike.

In 2006, Berlin daily TAZ remarked of T.’s first commercially available DJ mix, Body Language Vol. 2: “Koch combines tracks from the most varied of genres…triggering the most disparate of euphoria-soaked locations, he touches on the different waveforms of twenty years of party bliss.” T.’s famed selector skills took him to even loftier heights in 2010 with fabric 51, his celebrated instalment for the venerated British mix series, and a fantastically diverse and intricate mix full of sharp twists and unexpected turns, otherworldly soundscapes and deep elegance.

Whether DJing in his hometown of 5 years, Berlin, gigging internationally, T.’s sets are invariably stirring and extraordinarily varied. T. is no style fascist, nor is he a slave to trends; he is a bass- and groove-addicted club historian, with a firm grasp of the contemporary. His sets turn 25 years of electronic music history into one finely rendered journey, transforming the links between genres and ages into a truly physical experience, whether he’s capturing the peaktime party spirit, or sending early morning crowds into veritable delirium with one of his famed marathon excursions. T. embarked on an exhaustive 9-month world tour in the summer of 2009 with The Inner Jukebox, and drew on his journalistic background to document the experience, writing a weekly tour diary for online electronic music magazine Beatportal. Invigorated and inspired by his extensive travels, T. channelled that kinetic energy straight back into creativity, undertaking an intensive period of writing and production in early 2010. With new production partner Stefan Eichinger aka LOPAZZ, DJ T. devoted the greater part of the year to Eichinger’s Heidelberg studio, and the resulting album Pleasure Principle – due for release in spring 2011 – is T.’s most accomplished work yet.

Description

Pandemonium is one of the best parties Ibiza has known; founded by Tania Vulcano and powered by ISGUD RECORDS, Pandemonium strives to give you the best house music experience ever, each and every night. The party has hosted some of the greatest musicians, DJs, and live performances party people have every witnessed, from Tania Vulcano, Kerri Chandler, Cassy, Tato, Willie Graff, D’Julz, Garagem, Nina Kraviz, System of Survival, Art Department, Dan Ghenacia, Dyed Soundorom, Dj Qu, Tuccillo and many more!

There is only 1 place in Ibiza where this magic music atmosphere could be created, and this place is the infamous DC10, where CIRCOLOCO was born and continues its current event and world tour all year round.

Don’t miss this opportunity to experience PANDEMONIUM when it comes to ASYLUM for their first time ever in Honolulu. PANDEMONIUM and DC10 resident artist TATO, supported by MARASCO from ORION MUZIK.

The name “Claude VonStroke” was a random joke that caught on after a series of tracks grabbed the attention of underground dance music in 2005. His very first record, “Deep Throat,” was an unusually quirky affair that caught fire worldwide and he has been blessed with similar success stories ever since. Claude’s real name is Barclay Crenshaw, a guy raised in the suburbs Detroit who wanted to be a filmmaker but always had a knack for music. After several different film careers of varying success and with some help from his friends, VonStroke started the “dirtybird” label at the very late age of 32.

Since 2005, dirtybird has carved out a niche as a premiere American label and has released over 40 EPs. VonStroke has released two artist albums as well as a Fabric mix and over 25 remixes for a wide range of commercial and underground artists from Indy rock group “The Rapture” to Detroit techno legend Kevin Saunderson.

In an effort to give something back to the community VonStroke unveiled a new label “mothership” in 2007. A large percentage of the label’s proceeds go to a music school for children in Claude’s hometown of Detroit, Michigan. This label features more euro-flavored techno and house featuring groups like Catz ‘n Dogz, Maetrik and Voodeux.

Tour wise, Claude has headlined almost every major club, festival and basement after-party in the world. The outdoor dirtybird parties in San Francisco’s scenic Golden Gate Park have also become a legendary summer destination point for both locals and international travelers.

But like we said at the start, Claude VonStroke is only coming to see you if you want to enjoy yourself and get sweaty and nasty. If you want to wear a sweater and frown in the VIP section, he is not the right DJ for you.

Artilect is back at Thirtynine Hotel once again every 2nd Saturday.

Last month was our best yet with Luca Bacchetti from Barcelona killing it and the night going off.

This month expect nothing less with a very special guest

LOPAZZ from Berlin and Get Physical Records.

You probably best know Lopazz for the quality, avant-garde club music he’s produced for labels like Get Physical, Cocoon Rec., Pokerflat and London’s legendary Output Recordings, but his career as a multimedia artist is far more colourful and diverse than you might’ve imagined.

Since 2000 Lopazz has been performing live, most recently on an extensive World-tour, playing the hots spots and best clubs like D´Edge in Sao Paulo, Watergate & Berghain in Berlin, Soundwave in Vancouver, Ekko in Norway, Bataclan in Paris, Fabric London, Water-Taxi Beach in New York City, Sunset Open Air in California and many more.

Restless as ever, Lopazz is currently dividing his time between the studio, where he’s working on new material with Gerd Janson ( Running Back ), M.A.N.D.Y. & DJ T., Mastering-jobs for artists and labels and his home, where he enjoys a happy existence. As the man himself says, “I have no message to preach – I just represent my music, and life…”

We also have some very special guests in town from London so we look forward to seeing everyone out early.

Support from

Zane

Willis Haltom

Hi-C