Description

Pandemonium is one of the best parties Ibiza has known; founded by Tania Vulcano and powered by ISGUD RECORDS, Pandemonium strives to give you the best house music experience ever, each and every night. The party has hosted some of the greatest musicians, DJs, and live performances party people have every witnessed, from Tania Vulcano, Kerri Chandler, Cassy, Tato, Willie Graff, D’Julz, Garagem, Nina Kraviz, System of Survival, Art Department, Dan Ghenacia, Dyed Soundorom, Dj Qu, Tuccillo and many more!

There is only 1 place in Ibiza where this magic music atmosphere could be created, and this place is the infamous DC10, where CIRCOLOCO was born and continues its current event and world tour all year round.

Don’t miss this opportunity to experience PANDEMONIUM when it comes to ASYLUM for their first time ever in Honolulu. PANDEMONIUM and DC10 resident artist TATO, supported by MARASCO from ORION MUZIK.

The name “Claude VonStroke” was a random joke that caught on after a series of tracks grabbed the attention of underground dance music in 2005. His very first record, “Deep Throat,” was an unusually quirky affair that caught fire worldwide and he has been blessed with similar success stories ever since. Claude’s real name is Barclay Crenshaw, a guy raised in the suburbs Detroit who wanted to be a filmmaker but always had a knack for music. After several different film careers of varying success and with some help from his friends, VonStroke started the “dirtybird” label at the very late age of 32.

Since 2005, dirtybird has carved out a niche as a premiere American label and has released over 40 EPs. VonStroke has released two artist albums as well as a Fabric mix and over 25 remixes for a wide range of commercial and underground artists from Indy rock group “The Rapture” to Detroit techno legend Kevin Saunderson.

In an effort to give something back to the community VonStroke unveiled a new label “mothership” in 2007. A large percentage of the label’s proceeds go to a music school for children in Claude’s hometown of Detroit, Michigan. This label features more euro-flavored techno and house featuring groups like Catz ‘n Dogz, Maetrik and Voodeux.

Tour wise, Claude has headlined almost every major club, festival and basement after-party in the world. The outdoor dirtybird parties in San Francisco’s scenic Golden Gate Park have also become a legendary summer destination point for both locals and international travelers.

But like we said at the start, Claude VonStroke is only coming to see you if you want to enjoy yourself and get sweaty and nasty. If you want to wear a sweater and frown in the VIP section, he is not the right DJ for you.

Artilect is back at Thirtynine Hotel once again every 2nd Saturday.

Last month was our best yet with Luca Bacchetti from Barcelona killing it and the night going off.

This month expect nothing less with a very special guest

LOPAZZ from Berlin and Get Physical Records.

You probably best know Lopazz for the quality, avant-garde club music he’s produced for labels like Get Physical, Cocoon Rec., Pokerflat and London’s legendary Output Recordings, but his career as a multimedia artist is far more colourful and diverse than you might’ve imagined.

Since 2000 Lopazz has been performing live, most recently on an extensive World-tour, playing the hots spots and best clubs like D´Edge in Sao Paulo, Watergate & Berghain in Berlin, Soundwave in Vancouver, Ekko in Norway, Bataclan in Paris, Fabric London, Water-Taxi Beach in New York City, Sunset Open Air in California and many more.

Restless as ever, Lopazz is currently dividing his time between the studio, where he’s working on new material with Gerd Janson ( Running Back ), M.A.N.D.Y. & DJ T., Mastering-jobs for artists and labels and his home, where he enjoys a happy existence. As the man himself says, “I have no message to preach – I just represent my music, and life…”

We also have some very special guests in town from London so we look forward to seeing everyone out early.

Support from

Zane

Willis Haltom

Hi-C

Also celebrating Asylum resident DJ and coolest guy around
… ADAM Kanekoa Bday.

*******ADAM’s Dirty Thirty Weekend Warrior Party*******

Dress like your favorite warrior whether it be a ninja, a cage fighter, a samurai, whatever you think fits but dress up for a wild night!

https://www.facebook.com/SianOfficial

Bio:

Having already toured half the world, schooling heavy crowds and bringing his trademark experimental DJ-ing style to the masses via multiple outputs of explosive techno, fx and loops all cut up and edited live. His DJ sets at international clubs and festivals in Europe, USA, Canada, Eastern Europe, South America, Australia and beyond, have seen him bring real voodoo to the dancefloor every time. Also running his own nomadic “Octopus presents” events, with guests like Josh Wink, Anja Schneider, Damian Lazarus, Nick Curly and Secretsundaze etc rolling out the emerging club night’s warehouse aesthetics in Barcelona and Dublin.
His proudest undertaking yet, his own new techno imprint, Octopus recordings, is now recognized by peer and press alike as one to watch. Praised for its feverish tracks and raw sound, it has kickstarted a plethora of main room stompers and leftfield underground bombs. With remixes from esteemed names like Carlo Lio, Ramon Tapia, DVS1, Joel Mull, Terence Fixmer, Ripperton, Gui Boratto, Norman Nodge, Jonas Kopp and bright new talent like Calculus and Clement Meyer, the young imprint is already making loud noise.
His upcoming artist album, an inventive hybrid mix of original tracks and parts, spanning 130 mins and comprising over 1013 individual clips mixed into one session, will show a bold step in studio experimentation. The project illustrates some achingly smart new production techniques and features everyone from Carlo Lio to Terence Fixmer, remixing the vibrant singles.
Whether conducting everlasting sweat soaked DJ sessions or creating timeless dance music, Sian is a truly diverse and original talent, at once chic and debonaire, always intensely inventive.

WWW.SIANMUSIC.NET
WWW.OCTOPUSRECORDINGS.COM

Asylum Residents Supporting

John Tejada was born in Vienna, Austria on April 21, 1974. His parents, both professional classical musicians (his mother an opera singer and father a conductor) began his early piano training at the age of 4. In the summer of 1982, John would move with his mother to her place of birth, Los Angeles. It was that summer at the age of 8 another instrument would catch his eye, the drums. Teaching himself to play along to classic rock music, John quickly learned his way around the drum set (an instrument he still plays to this day in his I’m Not A Gun project). Everything changed however when he got his first taste of early 80’s hip hop music. The impact of those early productions and electronic experimentation was very strong. Soon after, at the age of 12 John was given his first set of turntables and a mixer. He wanted to figure out everything he was hearing DJs do at that time. His first gigs came at the age of 12 for his own school, DJing his school dances.

Soon after his fascination with DJing began his fascination with production began. Just as he was completely determined to learn the tricks of local DJs, he now wanted to know how the music was made. His introduction came around the age of 15, when he acquired his first looping delay. Soon after came his first workstation, an Ensoniq EPS sampler. This opened up a whole new world of possibilities. John spent every part of his day honing his craft.

In 1991, while still in high school, John was already recording his first productions. He was also involved in college radio, even though he was just a junior in high school. John had a spot on “The Fly ID Show” with DJ Rob One. John produced the show’s first record for Rob and also went on to do some hip hop production on Ruthless Records. It was during this time that he met his long time collaborator and best friend Arian Leviste. The two met at a hip hop recording session in ‘91. John, already tired of the hip hop scene and where it was going, spent hours talking to Arian about acid house, techno, ambient house and everything they seemed to have in common. The two agreed they would meet weekly to compose material. It took some time before they would release any music, but in 1994 they pressed up their own single and that started a chain reaction of releases. John and Arian during this time also were accepted into Cal Arts’ (California Institute for the Arts) electronic music program, but both decided not to attend to hone their craft on their own.

Soon after, John enjoyed a series of releases on European labels like A13, Multiplex, and Generations R&S. In the fall of 1996 he started his own label, Palette Recordings as an outlet to release his own productions without having anyone tell him how to do it. The demand for his music continued to grow and labels such as Ferox, Sino, Mosaic, Immigrant, Plug Research, Pokerflat and 7th City all released Tejada 12”s.

John began traveling internationally in ‘97 to showcase his DJ skills around the globe, traveling to more than 20 countries and playing various clubs and festivals around the world. Festivals included Movement (formerly The Detroit Electronic Music Festival), Sonar Festival (in Spain and Tokyo), Dance Valley (Netherlands), Sync Festival (Greece), Mutek Mexico, as well as internationally known spaces such as Fabric (London), Yellow (Tokyo), Rex Club (Paris), The Walt Disney Concert Hall (Los Angeles) and many more.

In 1999, John met classical jazz guitarist Takeshi Nishimoto, which was the beginning of another musical frontier. The two had a similar meeting as John and Arian had years before and began talking about making music. The project I’m Not A Gun was born and signed soon after to Berlin-based City Centre Offices. This project would bring back John’s own training as a drummer while also trying his hand at the guitar. The project became a mix of John’s own electronic productions along with Takeshi’s professional guitar playing and John’s drumming. The project has enjoyed great reviews and success the world over and the duo has performed live in LA, Japan and Germany.

In the summer of 2004, John would – in one week – create the two songs that would catapult his techno career. The classic “Sweat On The Walls,” and “Mono On Mono” were released almost at the same time on two different labels. “Sweat” was released on Pokerflat and “Mono On Mono” on Palette. Together the two records sold over 23,000 copies on vinyl. This lead to the equally successful follow up singles “Paranoia,” “Mind Bend” (with more recent collaborator and Palette-signing, Justin Maxwell) “Voyager,” and “The End Of It All.”

With dozens of singles and remixes to his credit, he has also produced full-length albums for Kompakt, Playhouse, Palette, Plug Research, deFocus, Moods and Grooves, Immigrant and A13. For a complete discography please visit http://www.discogs.com/artist/John+Tejada.